Thus, the characteristics of the human voice control the behaviour of the filters that are processing that synth. In a classic configuration, the vocoder’s filters are applied to a bright synth patch (such as strings), while the incoming signal (usually a vocal) stimulates the envelope followers, which raise and lower the volume of their associated frequency band attack and release parameters are provided for fine-tuning their response times. ![]() Blue Sky.” In software, the number of filter bands is far greater, with Logic’s EVOC 20 offering up to 20 bands, Ableton delivering 40 bands, and Reason’s BV512 including an FFT-like, 512-band setting. Vintage hardware, such as the Roland SVC-350, offered 8 to 12 analogue filter bands and provided enough intelligibility to be the lyrical focus of pop tracks like ELO’s “Mr.
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